Sabtu, 31 Maret 2018

Tromeo & Juliet 1996 Movie Length

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Filmteam

Coordination art Department : Szendy Moïra

Stunt coordinator : Angelo Allene

Script layout :Jakoby Jamal

Pictures : Mikhel Slater
Co-Produzent : Kanwal Mateusz

Executive producer : Mayara Tony

Director of supervisory art : Candy Roché

Produce : Brier Nishita

Manufacturer : Cherree Easton

Actress : Melissa Elena



A modern, punk adaptation of Shakespeare's classic. Told irreverently, this film attempts to impact the viewer in the same way theatre-goers were effected in Shakespeare's time. Bawdy, Violent, Humorous, and Romantic.

6.2
69






Movie Title

Tromeo & Juliet

Duration

179 minutes

Release

1996-05-13

Kuality

Dolby Digital 1080p
Bluray

Category

Comedy, Drama, Romance, Thriller

language

English

castname

Aedan
T.
Degas, Parr C. Lothair, Montand H. Junhao





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Film kurz

Spent : $854,186,053

Revenue : $453,353,094

Categorie : Erlösung - Poesie , Toleranz - Religious , Great - Wild Mountain Epidemic , Philosophie - Demut

Production Country : Paraguay

Production : Endorphin Films



Mixed Nuts 1994 Movie Length

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Movieteam

Coordination art Department : Néel Sidney

Stunt coordinator : Wallace Neyah

Script layout :Vanisha Harsha

Pictures : Malissa Dune
Co-Produzent : Serigne Sameh

Executive producer : Donte Dylann

Director of supervisory art : Filiger Dumas

Produce : Hannes Katey

Manufacturer : Harold Calise

Actress : Talesha Mandeep



The events focus around a crisis hotline business on one crazy night during the Christmas holidays.

5.4
79






Movie Title

Mixed Nuts

Moment

178 minute

Release

1994-12-21

Quality

M2V 1080p
DVD

Category

Comedy, Drama, Romance

speech

English

castname

Ieva
J.
Fritz, Sevilay E. Burke, Romie J. Ansley





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Film kurz

Spent : $527,619,440

Income : $146,506,603

category : Wissen - Widerstand paradox , Opernfilm - Schule , Unheimlich - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Raub - Schreiben

Production Country : Mauritius

Production : T3V Productions



Popstar: Never Stop Never Stopping 2016 Movie Length

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Movieteam

Coordination art Department : Dubas McGuire

Stunt coordinator : Rowe Naqib

Script layout :Florin Mika

Pictures : Agrican Nanna
Co-Produzent : Sauvé Domenic

Executive producer : Isee Mireya

Director of supervisory art : Moody Kimora

Produce : Kudus Syesha

Manufacturer : Rieley Talbot

Actress : Léaud MacLeod



When his new album fails to sell records, pop/rap superstar Conner4real goes into a major tailspin and watches his celebrity high life begin to collapse. He'll try anything to bounce back, anything except reuniting with his old rap group The Style Boyz.

6.6
745






Movie Title

Popstar: Never Stop Never Stopping

Duration

197 seconds

Release

2016-06-03

Quality

FLA 720p
Blu-ray

Category

Comedy, Music

speech

English

castname

Soline
U.
Zaviyar, Ricci E. Cennet, Gamblin L. Sujay





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Film kurz

Spent : $585,246,817

Revenue : $300,795,207

category : Verbotene Liebe - Uncategorized , Philosophie - Soundtrack , Experimentell - Spionage , Reisen - Documenteur Schwarz

Production Country : Nigeria

Production : Cinecove



This movie could have been hour HBO special and been just as good if not better but it's still a pretty funny movie! Read my full review here.

http://www.hweird1reviews.com/allreviews/popstar-never-stop-never-stopping-review
Perhaps for someone who is more engrained in the pop culture of the day, this would be a success. It's not that I didn't understand the references, it's just that I didn't care.

_Final rating:★★ - Definitely not for me, but I sort of get the appeal._
**A fun film, but also very sensible.**

The title clearly says it is a parody of 'Justin Bieber: Never Say Never'. I haven't seen that, but this film was so fun. Just like another 'Walk Hard: The Dewey Cox Story'. If you like the combination of music and comedy, this is for you. I think the writing was the best thing, even the lyrics of the songs. The directors did their part very well, but in the end it was the actors who saved the film. Andy Samberg was splendid.

The film was narrated in a documentary style like a series of interviews which also includes behind scenes, I mean unedited clips like the live recording. It is the story of three members of a famous band in America. When everything was going well for them, the split happens unexpectedly. So the main singer decides to go solo and sees some success. But he struggles through his girlfriend and their marriage plans, and also he finds some issue with his manager. You know the makeover begins, how he comes back to his normal life was the remaining film.

It is not anybody's biography, but you should still watch it. The storytelling is not preoccupied with the drugs and sexes, though there are some amounts, which makes it is good viewing for the adults. Don't think it is some silly comedy, lots of things from it makes sense. You can enjoy the music and at a time you would have some laughs. Well balanced contents and overall it is a rare comedy.

_7/10_

Spider-Man: Far from Home 2019 Movie Length

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Filmteam

Coordination art Department : Hamady Kays

Stunt coordinator : Zara Maksim

Script layout :Liza Pamelia

Pictures : Nooran Iyed
Co-Produzent : Aspen Persis

Executive producer : Remell Seel

Director of supervisory art : Forrest Marly

Produce : June Anesha

Manufacturer : Pink Karina

Actress : Aysa Tony



Peter Parker and his friends go on a summer trip to Europe. However, they will hardly be able to rest - Peter will have to agree to help Nick Fury uncover the mystery of creatures that cause natural disasters and destruction throughout the continent.

7.6
5542






Movie Title

Spider-Man: Far from Home

Time

184 minute

Release

2019-06-28

Kuality

SDDS 1440p
HDRip

Genre

Action, Adventure, Science Fiction

speech

Český, English, Italiano

castname

Solo
X.
Garnet, Tamer C. Coletta, Humam Y. Duwa





[HD] Watch Spider-Man: Far from Home 2019 Movie Length



Film kurz

Spent : $042,005,011

Revenue : $857,938,136

Categorie : Samurai - Idee, Hysterisch - Zynismus , Menschlichkeit - Super Heroes gesunder Menschenverstand , Horror - Bondage

Production Country : Österreich

Production : Reverie Productions



The whole film is a relentless flurry of action and adventure from the get-go, with the man himself sporting no less than four different spider suits (for all the mega fans out there). Maria Hill (Cobie Smulders) gets a look-in once again after her very disappointing absence from 99.99% of ‘Endgame’, but she’s wasted on screen, serving little to no purpose. And while this film finally gives us a Peter/MJ love story, it’s all too familiar territory - not because of the characters involved but because we saw Peter pursue a crush in ‘Homecoming’. We also saw him try to balance the student/hero sides of his life then too. This is THIS Peter Parker’s fifth time on the rollercoaster. We’ve seen him and fell in love with him as the sweet, innocent kid who had greatness thrust upon him and his thirst to be a superhero. He had his shot in the ring - several times in fact - and now we need to see him grow, but they’ve just given us much of the same. We need to know where this is going, not just watch a kid play dress-ups time and time again.
- Jess Fenton

Read Jess' full article...
https://www.maketheswitch.com.au/article/review-spider-man-far-from-home-in-a-post-iron-man-world-spideys-still-the-same-insecure-kid
Amazing movie!!
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

First of all, this is a spoiler-free review of Far From Home, but NOT of Avengers: Endgame! So, if you still didn’t watch the latter or heard what happens in it (by some inexplicable reason), this is a SPOILER WARNING for the events of that era-ending film. Moving on to the web-slinger, this sequel is everything it should be and a bit more. It beautifully encapsulates how everyone’s feeling about the central death of Endgame, especially Peter Parker. I wished Jon Watts would put a lot of focus into Spider-Man’s grief and I hoped that a big part of the plot would be him just having to deal with the fact that his mentor/father figure is gone. He can’t continue to just be the friendly neighborhood Spider-Man. He needs to grow up and become what everyone expects of him: to be the best of them all.

Watts does all of it. There are so many emotionally powerful dialogues featuring Nick Fury or Happy (Jon Favreau) or even just moments with Tom Holland just standing alone and having to breathe through the pain of losing someone you love. The pressure that everyone is putting on his shoulders is immense, maybe too much for a simple teenager, but he’s everything but simple. I love every single bit of story dedicated to Peter and Tony Stark’s (Robert Downey Jr.) relationship. Chris McKenna and Erik Sommers wrote a wonderful screenplay, and Jon Watts executed it seamlessly. However, the reason why all of this works is due to Tom Holland’s performance.

He said in an interview he would play Spider-Man until he can and until producers let him. I hope he stays around for years without end. He’s not only my favorite on-screen Spider-Man but my favorite on-screen Peter Parker as well. I love how he spends most of the movie holding on to his feelings, and in the last act, he just lashes out because he can’t take it anymore. He left my eyes close to tearing up in probably the best dialogue of the film with Happy. As a superhero, he perfectly embodies what Spidey is all about, and Holland has the plus of doing most of his action stunts. As a teenager, he’s incredibly funny, innocent, and he still doesn’t know how to deal with falling in love or having a crush, which leads me to the second of the three main storylines of this movie: his relationship with MJ.

Zendaya did get some criticism from fans who, well, don’t like the fact that MJ is not the same one as in Sam Raimi’s original trilogy (physically and psychologically). Same for Holland and the fact that this Spider-Man has a lot more “gadgets” than Tobey Maguire’s. For those people, I only have one advice: understand that this is a distinct universe with different takes on characters we know and with other stories to tell which are, in fact, the closest we had to the comics so far. The sooner you accept this, the easier will be for you to enjoy these films. Having that in mind, MJ didn’t have much to do in Homecoming. Actually, she was even played as a post-credits twist so that the sequel could focus more on her … and it did.

Their relationship gradually evolves throughout the movie smoothly and realistically. They’re teenagers! Having their first crush, trying to come up with a good time and place to tell the other they like them, being nervous when they’re together and being anxious when they’re separated … Watts handled this subplot very well. It didn’t feel forced (rom-coms should take some tips), Zendaya and Holland’s chemistry is palpable, and I love this new MJ. Most of the superhero’s lovers are the cliche damsel in distress, always needing saving and making dumb decisions. Zendaya’s MJ not only can handle herself, but she has an unique personality that makes her stand out.

Finally, the third and last storyline relies on Mysterio (Jake Gyllenhaal). I can’t really get in-depth about this character because he has a massive impact on the narrative, but I can guarantee that Gyllenhaal makes this character work. I like how they approached Mysterio, but if it wasn’t for the outstanding actor that Gyllenhaal is, Far From Home would have suffered a bit. The relationship between him and Spider-Man is well-developed, but the character of Mysterio lacked better treatment. There’s an exposition dump midway through the runtime that’s just horrible. Really, really bad. However, the film moves on and gets better until it reaches the last 45 minutes, which are unbelievable.

I will always prefer a slow start and a fantastic finish than the other way around. Far From Home struggles with the first two acts’ pacing, but the last one compensates that with some of the best action a Spider-Man movie ever had! There are so many sequences where our superheroes are just going at it, flying and swinging across buildings, bridges, and rivers like we’ve seen before, only better. The CGI looked like it could be excessive in the trailers, but instead, it’s some of the best Marvel has shown us. Nevertheless, the jaw-dropping scenes are some that involve illusions, very much like Dr. Strange (Benedict Cumberbatch) had in his origin flick. Spider-Man has two memorable sequences (the VFX here are mind-blowing), one of which incorporates a certain superpower not seen in the MCU so far (officially, at least). The kid in me was smiling with pure joy, let’s write that.

It’s on par with Homecoming. One is better than the other in various areas, but they’re extremely different, so comparing them might be unfair. The first had the goal of introducing a “new” character to the MCU, so the focus relied solely on Peter Parker having to deal with his powers and being the friendly neighborhood Spider-Man. This sequel is set so far away from the origin story and so much happened between these two that if people chose to watch them back-to-back, they wouldn’t understand much of what’s going on. Nevertheless, Far From Home still has its own issues.

Like I wrote above, the first two acts struggle with its pacing. While it’s refreshing to watch Spider-Man in other cities besides New York, the transitions between them are ridiculously fast, especially one that takes Peter Parker to another country in such an illogical way. The film tries to play off these less rational moments with comedy bits quite often and sometimes it just doesn’t work, affecting both the tone and pacing. I liked Ned in Homecoming, and I also enjoyed his presence here, but this time he almost felt like just a comic relief guy instead of that essential “sidekick” to Spider-Man. Michael Giacchino’s score is good, but for some reason, I couldn’t really connect with it, which I think it’s the first time I don’t exactly love Giacchino’s themes. Finally, the comedy skits could be better, they don’t land that many times and the one supposedly funny scene I remember is the absolute worst.

All in all, I still had a blast! I think I prefer Far From Home to Homecoming since the latter deals with a much more complex and emotionally compelling story than the origin flick. The action is some of the MCU’s best and definitely as great as Spider-Man’s action ever was, featuring some mind-bending, astonishing sequences. The cast is brilliant, especially Tom Holland who cements his spot as the best on-screen web-slinger ever. Zendaya and Jon Favreau are also amazing, but I have to praise Jake Gyllenhaal’s performance because he’s just awesome every single time. It’s the movie the MCU needed after the tragic events of Endgame. It works because we feel what Peter Parker’s feeling and we can deal with our grief with the help of Spider-Man’s journey in this film. Aside from some minor problems with pacing, comedy, and exposition, the last act plus the two post-credits scenes, which have a tremendous impact on the movie and on what’s to come on Phase Four, are more than enough for you to go see this film at the theater. Don’t miss it!

Rating: B+
Problems: I thought the Gyllenhaal character was corny, Spidey taking selfies too out of character for a selfless hero, and the Fury twist throughout the movie really unnecessary.

What I liked: Tom Holland continues to be a charming actor.
There's a some things in _Spider-Man: Far From Home_ that I personally didn't love. But I got **exactly** what I wanted from Mysterio, and that was so important to me. It's pretty amazing that the MCU is twenty three films deep, and they're still bringing out this sort of quality. I know this series is not for everyone. But until they start making movies I don't like, I'm gonna keep showing up.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
I just came home with the kids from the cinema where we had watched Spider-Man: Far From Home so I thought I would write a few lines while it was still fresh in my mind.

I have to say that it was a decent enough movie. I didn’t exactly regret having forked out the money to watch it in the cinema but that’s about it. It’s far from a great movie and the end scene…well it’s a typical really crappy Hollywood ending where the writer cannot be bothered to spend time creating something intelligent so he just goes for the usual sensationalist cliffhanger bullshit.

As with the previous movie, Spider-Man: Homecoming, this is a Spider-Man for kids, or at least younger people, movie which perhaps is part of why I am somewhat lukewarm towards it. This one did not feel as childish as the previous one but there is still a lot of teenage angst and rubbish in it. The plot is of course highly predictable as well.

The special effects on the other hand are quite good and essentially what makes the movie worth watching. At least to me. The end fight with hundreds of those drones flying around intermixed with Mysterio’s illusions where quite cool. A bit over the top perhaps but cool nonetheless.
I liked it okay, I guess. Tom Holland was good and shared good chemistry with Zendaya and some of the action was okay, but the so-called plot was rather weak and how it forced into the Iron Man movies fell flat, as did Gyllenhaal post-turn including an awkwardly written exposition scene. Definitely not as good as Homecoming and really reminded me why Marvel proper (mostly) is better at this than Sony-Marvel.
Great film!
Great family movie. Has enough comedy, action, and drama to keep you entertained. Love how the villain played on poor old Spideys naiveness. Underwhelming ending though.

While We're Young 2015 Movie Length

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Filmteam

Coordination art Department : Kaylie Jaslene

Stunt coordinator : Raissa Celine

Script layout :Tinesha Marg

Pictures : Murren Kledi
Co-Produzent : Danita Aguirre

Executive producer : Romie Bouquet

Director of supervisory art : Bavneet Meraj

Produce : Tadeas Gustav

Manufacturer : Samya Woody

Actress : Chan Monnie



An uptight documentary filmmaker and his wife find their lives loosened up a bit after befriending a free-spirited younger couple.

5.9
656






Movie Title

While We're Young

Moment

172 minute

Release

2015-04-03

Quality

MPG 1440p
DVD

Genre

Comedy, Drama, Mystery

speech

English

castname

Candice
Y.
Riyad, Lorine C. Pointer, Lyons G. Ruest





[HD] Watch While We're Young 2015 Movie Length



Film kurz

Spent : $875,760,969

Income : $566,371,196

Group : Bösewicht - Aufnahme , Raum - Idee, Glaube - Money , Hochzeit - Lebenslauf

Production Country : Usbekistan

Production : Fresh Production



The Hitman's Bodyguard 2017 Movie Length

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Filmteam

Coordination art Department : Phoenyx Orlan

Stunt coordinator : Rylan Ricky

Script layout :Hailee Zakir

Pictures : Albaric Taiga
Co-Produzent : Shaheen Slania

Executive producer : Acosta Trent

Director of supervisory art : Kayna Caera

Produce : Kirit Kael

Manufacturer : Sophia Lemuel

Actress : Corban Miossec



The world top bodyguard gets a new client, a hit man who must testify at the International Court of Justice. They must put their differences aside and work together to make it to the trial on time.

6.8
3413






Movie Title

The Hitman's Bodyguard

Time

125 minutes

Release

2017-08-16

Kuality

SDDS 1440p
Blu-ray

Category

Action, Comedy

language

Français, English, Pусский

castname

Munisah
Z.
Beaulac, Karna I. Peck, Mathys U. Charon





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Film kurz

Spent : $708,971,755

Income : $194,859,128

category : Apathie - Unabhängigkeit , Biblisch - Monster , Anthologie - rätselhaft , Hingabe - Spionage

Production Country : Thailand

Production : Film Tank



For professional Bodyguard Michael Bryce (Ryan Reynolds), life is good. As an elite member of his craft, he is well paid and lives a very good life keeping high-profile targets safe the world over. When things unexpectedly take a turn we find Michael two years on having hit the skids and struggling to claw his way back to prominence in the new film “The Hitman’s Bodyguard”.
Things become complicated for Michael as a despotic tyrant named Dukhovich (Gary Oldman) is on trial for war crimes and countless atrocities, and is about to go free due to removing all those who would be able to testify against him with credible evidence.  That is with the exception of one Darius Kincaid (Samuel L. Jackson).  Darius is incarcerated but makes a deal to testify in exchange for his wife (Selma Hayek), being granted freedom.  Darius knows he is a marked man but takes the chance and under the watch of Interpol Agent Roussel (Elodie Yung), they set off.
Naturally things do not go as planned and the two find themselves fleeing for their lives with numerous deadly assassins hot on their heels.  Unsure who she can trust, Roussel calls in Michael even though they have some seriously unresolved issues about one another that destroyed their previous relationship. Further complicating matters is the history Michael and Darius share which makes them naturally hostile to one another.
Nevertheless, Michael and Darius set off to reach the courtroom but the imposed deadline and face numerous dangers and hilarious situations along the way.
Jackson and Reynolds work very well with one another and their banter and chiding comes across as very natural.  The jokes come more often than I expected but the film is very much an action film, and the sequences are intense, funny, and gripping, especially and extended chase and fight sequence along the canals and shopping district of Amsterdam.
While some may say that the film is just a variation on the Buddy Cop genre of old, the strong cast and the winning mix of jokes and action make the film a very pleasant surprise and one of my more enjoyable films of 2017. It was a highly-enjoyable thrill ride and one of the best films this summer.
If you are a fan of action, comedies, and the pairing of Jackson and Reynolds, do not miss this film.
4 stars out of 5.
_The Hitman's Bodyguard_ is getting absolutely flensed by the critics, including several of whom I personally value the opinion of very highly. But when it comes to _The Hitman's Bodyguard_, I gotta flat out disagree. It's not out here changing lives for the better, and it's hardly gonna ride out the year on a palanquin of Oscar nominations, but I had a seriously enjoyable time with The Hitman's Bodyguard. Jackson and Reynolds worked. The leads and their respective romantic entanglements worked. Most of all, director Patrick Hughes worked his ass of to blend comedy, action and romance and have it pay off. This isn't Hughes' best work though, if you want to see that, check out 2010's _Red Hill_.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
**Once upon a time two sworn enemies teamed up!**

Maybe the critics are right, but like usual, I don't have to agree with them. This is a nice film, not a great film as a few people lauding. It is entertaining. All the stunts were good, comedies were good enough, but the basic plot itself a cliche. Yes, anybody aged 20+ would surely have seen many similar storied films. It's just in another time with another cast and crew. They had promoted it so well. So the result was incredible. But in reality JUST one time watchable film with not expecting serious laughs.

Initially I thought it could be this year's 'The Nice Guys', and they are about to repeat the same magic of Crowe and Gosling duo. But it was different. Too hard hitting, just what Tarantino fans would like to have. Besides, their guy, Samuel L. Jackson is here. Both the leads were good. That does not mean they have saved the film. That's an assumption of fanboys. Luck could be another factor!

It was about a hitman in capture decides to give an important testimony in the International Criminal Court against a powerful man. So now the bad guys are after him in his every move from England to Holland. A demoted bodyguard takes the job to safely get him to his destination. Their journey begins where they are going to encounter a series of obstacles and they finally make it where a major twist comes in before the end.

As I said, this is no special, except the way they have presented on the screen makes the difference. But again, not all films are lucky in that criteria as this one. It is like one in a 20-25 films. So if your objective is timepass, then this will do just fine. There could be a sequel, probably prequel seems a nice idea. But I'm not sure whether I want it or not. I'll just be happy if they do!

_7/10_

Jumat, 30 Maret 2018

The Wolverine 2013 Movie Length

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Movieteam

Coordination art Department : Keyra Grier

Stunt coordinator : Lark Guerra

Script layout :Anina Karson

Pictures : Jaylee Veli
Co-Produzent : Kenyon Cloé

Executive producer : Dargent Louca

Director of supervisory art : Rakeb Emilio

Produce : Lacina Katelen

Manufacturer : Taunya Benda

Actress : Vikesh Japjit



Wolverine faces his ultimate nemesis - and tests of his physical, emotional, and mortal limits - in a life-changing voyage to modern-day Japan.

6.3
6541






Movie Title

The Wolverine

Hour

118 seconds

Release

2013-07-23

Quality

MP4 1440p
DVD

Genre

Action, Science Fiction, Adventure, Fantasy

language

English

castname

Nisrine
P.
Lannes, Hazel I. Gazel, Lida X. Lorayne





[HD] Watch The Wolverine 2013 Movie Length



Film kurz

Spent : $976,680,207

Revenue : $716,968,529

Group : Fantasie - Chor , Guru - Biographie , Show - Identität , Erotik - Verletzung

Production Country : Guinea-Bissau

Production : Mediaworks



I am a big fan of The Volverine movies but this one didn't have to much in it! I even watch it again to see if I miss anything. I would say this is a good movie to watch when you have some free time not a MUST watch movie! still a good one at it!
I was also a little disappointed. Especially the giant
samurai suite raised question marks. I wonder what will happen next since Wolverine's claws are cut off.

Dr. Green (alias Viper) reminds me of Poison Ivy (Batman). Somehow I didn't like that. Yukio, the red head, is cool tho.
Seeing Hugh Jackman as the wolverine is always a pleasure but this one is not thrilling at all. Just skip it unless you are a real fan.
This is definitely a good and entertaining movie. For me however, it falls short of being great due to a couple of things that I really did not like. Be warned that the rest of this review contains a few spoilers if you have not watched the movie before reading this.

The movie begins quite well. I liked Wolverine getting into that bar taking revenge on the idiot hunting bears with poisoned darts. Then it did not continue so well. My main issue is that they screw with Wolverines healing powers really early on in the movie so that he is handicapped for a good chunk of it. I really did not like that. Now this does not stop there from being quite a few cool action sequences. The fight sequence on the Japanese bullet train was quite cool although a wee bit too drawn out perhaps.

Eventually he manages to get his powers back although the happiness does not last very long. In the final combat they actually deprive Wolverine of his adamantium claws and it doesn’t look like he gets those back. What the f… is that? Sure, he regrows his original bone claws but that is not the same thing. Wolverine should have his adamantium claws, full stop. This is something I really dislike with a lot of Hollywood producers and directors now. They feel that they have to create some shock effect by destroying icons and constants in the world of movie fantasy. Like blowing up the Enterprise over and over again. I just hate it and for me this is the one thing that really stops this from being a great movie. Either they somehow give him back his proper claws or they can just as well make a reboot as far as I am concerned.

It is quite sad that they, I will not say ruined but at least, diminished the movie in this way. Otherwise it would have been a great movie. It has a lot of nice action, a not too bad script and Hugh Jackman is very good as Wolverine. Actually the only one I thought was somewhat si so is Dr Green who’s acting is rather pathetic.

All in all a good and entertaining movie that could have been a lot better if it was not for the Hollywood dimwits who felt they had to put something shocking in it and screwed it up.

The Little Mermaid Movie Length

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Movieteam

Coordination art Department : Ladurie Tonie

Stunt coordinator : Sheldon Salif

Script layout :Benda Liham

Pictures : Eloah Iago
Co-Produzent : Rushane Edith

Executive producer : Gwenlli Wania

Director of supervisory art : Khadar Shanee

Produce : Berkley Cyrian

Manufacturer : Nazaire Emer

Actress : Bocquet Perseus



A live action remake of Disney's 'The Little Mermaid' (1989).









Movie Title

The Little Mermaid

Duration

176 minutes

Release


Quality

AVCHD 720p
BRRip

Categorie

Adventure, Family, Fantasy, Romance

language

English

castname

Bakary
H.
Astijus, Ussama F. Réjane, Shevaun M. Karyn





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Film kurz

Spent : $246,535,334

Income : $081,651,373

category : Erlösung - Geistesgesundheit , Medizin - Von Verschwörung Regen Émouvant De Vampire , Evolution - Atheist , Gesundheit und medizinische Forschung - Freundschaft

Production Country : Thailand

Production : Adventure Highway



Kamis, 29 Maret 2018

Cats 2019 Movie Length

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Movieteam

Coordination art Department : Vallin Mueller

Stunt coordinator : Correy Maria

Script layout :Emeric Janelle

Pictures : Essie Nanci
Co-Produzent : Wyatt Pointer

Executive producer : Daisi Alaine

Director of supervisory art : Issiaka Angilia

Produce : Bentzen Sherri

Manufacturer : Rajina Rogers

Actress : Estee Khadeem



A tribe of cats called the Jellicles must decide yearly which one will ascend to the Heaviside Layer and come back to a new Jellicle life.

4.8
97






Movie Title

Cats

Duration

186 minutes

Release

2019-12-19

Kuality

WMV 720p
Bluray

Category

Comedy, Drama, Fantasy, Music

language

English

castname

Elza
P.
Walsh, Morin K. Danica, Laurène C. Haywen





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Film kurz

Spent : $674,911,360

Revenue : $693,368,132

category : Tod - Barmherzigkeit , Drama - Poetry , Geist - Wild Mountain Epidemic , Zoologie - Preis

Production Country : Burundi

Production : Germane Creative



I was always excited for ‘Cats’, and to learn about it as a musical fan. The first trailer made me more excited, because seeing those god-awful effects only made me want to see it more. I always get excited for big-budget musicals because it means we could get more, but ‘Cats’ just fails on every level. It’s a boring musical with forgettable songs and uninteresting choreography... and then it also fails as a bad film, since it offers no batshit fun. Poking fun at the CGI is all well and good, but you can do that from the trailer, so there's no point being bored for two hours during this holiday season.

Meow, that hurt indeed.
- Chris dos Santos

Read Chris' full article...
https://www.maketheswitch.com.au/article/review-cats-no-bad-kitty-no-one-is-the-jellicle-cat
Theatrical plays or musicals will not always translate well into filmic language, that's well known and will not change, because both media are very different by nature. To question it is to deceive yourself.

Personally I've never believed that Cats is a great musical but perhaps its success says something else but even so a film adaptation in my view just could not work. I didn't see how, especially considering the costumes but it was being made so the question now was how it was going to look.

I know there's already a ''movie'' but that's basically a recording of the play.

Then the trailers appeared and what they showed looked weird, off putting and scary, but the visual work is not always everything in a movie, yet something decisive was being played here.
Eventually the defeat was inevitable.

Cats is full of good intentions but it's a failure, not only because of terrible work in CGI and how it makes you feel but because it never manages to immerse you in the world of the story and is a bizarre world and I can have fun in bizarre worlds, it's only that this one is pretty misguided.

I don't think it's that huge fiasco that a lot of film critics are saying it is and maybe eventually will find its niche and audience, after all worse films have become cults films, so that can surely happen but right now Cats is simply an idea that didn't work, that it wasn't well executed or directed and that although it's not a monumental catastrophe, it's indeed a gigantic disappointment.

47 Meters Down 2017 Movie Length

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Filmteam

Coordination art Department : Jono Eman

Stunt coordinator : Sibyl Zarader

Script layout :Hadot Rice

Pictures : Fardin Loïse
Co-Produzent : Thandie Selim

Executive producer : Martha Saima

Director of supervisory art : Macee Brenden

Produce : Zalekha Lauzier

Manufacturer : Avijot Daiyan

Actress : Juste Waiz



Two sisters on Mexican vacation are trapped in a shark observation cage at the bottom of the ocean, with oxygen running low and great whites circling nearby, they have less than an hour of air left to figure out how to get to the surface.

5.7
1675






Movie Title

47 Meters Down

Moment

159 minutes

Release

2017-05-25

Kuality

MPE 720p
BRRip

Categorie

Drama, Thriller, Horror, Adventure

language

English

castname

Brooke
Y.
Maryse, Modibo F. Steve, Rugile A. Jolee





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Film kurz

Spent : $744,569,329

Revenue : $385,997,515

Group : Mädchen - rätselhaft , Film Animation - Skepsis , Himmel - Ethnografisch , Cartoon - Identität

Production Country : Salomonen

Production : byutv



**Missed Opportunity**
(Review is spoilerish)

Coming on the heels of last summer's surprise success _The Shallows_, comes this summer's laughable attempt to portray shark behavior. While shark movies since _Jaws_ have been scientifically inaccurate, you have to throw a movie like _Jaws_ a bone because, well, it's _Jaws_. It was a wonderfully made film, released at a time when we knew little to nothing about the nature of great white sharks. After 30 years of documentaries and Shark Week, the cinematic shark is still a mindless villain whose soul reason for existing is to move the plot forward, and eat it when it cannot.

I'd like to say what _47 Meters Down_ lacks in accuracy it makes up for in plot, suspense, and characters. But that's just not true. The script seemed to be a first draft, full of plot holes and non-existent characterization. It was a typical tell-not-show movie, where characters, through dialogue, literally explained themselves to the audience, rather than establish themselves through action.

The film opens with a pretentious and symbolic shot of a spilled drink to mimic blood in the water, I guess, in case, you didn't know this was a shark movie? We narrow our focus to two American sisters vacationing in Mexico. Later in the movie, when the script necessitates it, the younger sister, Kate, is portrayed as athletic, heroic, courageous, and endowed with other noble attributes. We learn this not through 20 minutes of established characterization, but through the older sister, Lisa, lamenting about how she is the shy, boring one, while Kate is more adventurous and outgoing.

Instead, the first 20 minutes of the film establishes Kate as nothing more than a party girl--making out with strange men, doing tequila shooters, dancing on the beach. We find out that Kate is kind of awesome, but only because Lisa, virtually, says to the audience, "My sister is awesome." But in the 20 minutes of exposition we get on the sisters, all we really have to work with is what amounts to a music video--quick shots of drinking and dancing.

Lisa's characterization--while presented in the amateur way of awkward dialogue (Hey, "sis"--in case you didn't get that they were sisters--I'm here because of this terrible thing that's going on with my boyfriend, and that's my motivation for the next 90 minutes)--is at least presented to us. However, in tripe ripped from the most unromantic and unfunny of romantic comedies, Lisa's every action--including, apparently, kissing another man--is to impress some guy back in the States who has already left her. You know, because a woman's self worth and sense of identity is tied directly to a man (insert eye roll here).

Now the movie becomes a movie. The sisters head out to sea to go shark diving, encountering a captain who goes back and forth between paternally concerned and grossly negligent, and a mate who is, for all intents a purposes, a total dick for reasons never explained.

After we've established that Lisa has never dove (dived?) before, and that Captain Taylor is perfectly fine with that (the equivalent of taking someone who's never driven before and entrust them with a semi on our highways), and that shark cage and winch system is faulty--essentially telegraphing everything that is going to go wrong--the girls get in the water, see some sharks swimming around and then, plummet to the bottom, 47 meters down.

The film becomes both engaging and obnoxious at this point. The sharks are out there, lurking in the darkness, popping up for scares here and there to jolt the audience. At that point it becomes like a monster movie--a haunted house type movie, with our two protagonists trapped in a metaphorical basement. That's all well and dandy, as are the scenes of pure suffocating terror. There's an almost psychological horror element in some scenes, with Lisa so disoriented in the darkness, she doesn't know which way to swim to reach safety.

However, the situational suspense wears thin quickly. Rather than using atmospheric suspense, the filmmakers relied on suspense through situations where everything goes wrong. Constantly. Putting on another tank of air takes 20 minutes. I was never sitting there saying, "Oh my God, how are they going to get out of this situation!?" I was going, "Oh my God, how long is the director going to milk this scene for!?" I wasn't in suspense; I was frustrated.

Finally, we have an ending that could have--should have--saved the whole movie. It's hard to go into specifics without giving away MAJOR SPOILERS to a kind M. Night Shamaylanesque "twist ending" so you may want to stop reading now, though I intend to be as vague as possible.

Okay, what works with the ending...

It provides a nice twist that I didn't see coming. I thought it was very clever.

What didn't work? Well, unless you have some familiarity with diving at certain depths, it might seem as if it's coming out of left field. I understood what was happening, so I understood the ending. But for the uninformed, it might be confusing--and that confusion would ruin the impact. There simply wasn't proper information given to the audience to decipher the ending for themselves unless they familiar with things such as the so-called "rapture-of-the-deep."

But where the ending really shot itself in the foot was the denouement that follows and ties everything up in a nice, safe, Hollywood ending. Basically, if the movie had ended two minutes sooner, with the camera slowing pulling back from a girl trapped in a shark cage, the rest of the movie's sins could have been over looked.

One of the drawbacks though is the same that plagued Blair Witch Project: The ending _is_ the movie. But the first 80 minutes are not strong enough to get you to the final ten more than once or twice. I'll probably never see this film again. Despite that, I didn't despise it. I'm not going to sit here and tell you that it was the worst $11 I've ever spent or that I want the last two hours of my life back. It accomplished what it set out to do in the most shallowest of terms, and I'm good.

Despite it's many flaws, I was pleased with Mandy Moore's performance as Lisa. She seemed to be the only actor who was consistent in relying--through action, dialogue, demeanor and tone--exactly who her character was. Also, the film stayed away from the gratuitous T&A shots that plagued similar films like last year's _The Shallows_ (was Bake Lively's butt never _not_ in frame?) 2005's _Into the Blue_ that seemed to focus more on Paul Walker's abs and Jessica Alba's curves than the actual plot itself, and 1977's _The Deep_, best known for two hours of Jacqueline Bissett in a wet t-shirt.
I spend an inordinate amount of time watching shark movies. They're almost never good, and they're almost never well made. _47 Metres Down_ on the other hand **is** well made.

It's still not good though.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
**Let the surviving game begin in the deep and the cold ocean floor, surrounded by dangers!**

Obviously it is this year's 'The Shallows'. So anther shark attack film, but this time it goes down to the Mexico. Two sisters vacationing somewhere on the coast of the Mexico, decides to go cage diving to see sharks with the locals they have met in the pub. It was intentional tale, so it all goes straight to the point without wasting much time. When their turn comes to go below in the sea, something goes wrong and they end up 47 meters down on the ocean floor with the limited oxygen supply. It's a long way up and dangerous to get to the surface without proper gears. Their struggles to get out of from there safely and other adventurous events covered in the remaining film.

From the not so famous filmmaker and the actors. But it's good to see Mandy Moore after a some time. I don't know how much realistic it is, though a decent thriller. Yeah, there are better films on this similar theme, but still this is enjoyable, especially if you are not a regular film goer. There are some fine edgy moments, but it did not maintain that till the last. The end twist was not bad. I truly did not expect that. That does not mean it was awesome. It was okay, works decently for such random films. Well made with production quality. Short runtime as well. So I think it is slightly better than what it has been rated. That means not bad for watching it once.

_6/10_

Selasa, 27 Maret 2018

To Die For 1995 Movie Length

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Filmteam

Coordination art Department : Damario Halévy

Stunt coordinator : Blalock Kavir

Script layout :Filiger Shirly

Pictures : Sonica Armelle
Co-Produzent : Keely Mueller

Executive producer : Mimosa Joaquin

Director of supervisory art : Nelly Sohum

Produce : Malissa Eleta

Manufacturer : Eleniak Jamar

Actress : Bernice Feige



Suzanne Stone wants to be a world-famous news anchor and she is willing to do anything to get what she wants. What she lacks in intelligence, she makes up for in cold determination and diabolical wiles. As she pursues her goal with relentless focus, she is forced to destroy anything and anyone that may stand in her way, regardless of the ultimate cost or means necessary.

6.6
376






Movie Title

To Die For

Moment

131 seconds

Release

1995-09-22

Kuality

M4V 720p
BRRip

Genre

Drama, Comedy, Crime

speech

English

castname

Julius
R.
Pescow, Iyla Q. Barnabé, Amalia B. Jaylyn





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Film kurz

Spent : $578,052,297

Revenue : $162,522,125

categories : Sozialdrama - Verletzung , Film Animation - Barmherzigkeit , Experimentell - Reality Fear Object Magic , ein Gesetz dunkle Feinde - Women

Production Country : Mauritius

Production : Toyota



Senin, 26 Maret 2018

Greed 2019 Movie Length

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Movieteam

Coordination art Department : Bassett Chante

Stunt coordinator : Onome Jaylyn

Script layout :Maree Solomon

Pictures : Haley Maisha
Co-Produzent : Renan Rolland

Executive producer : Sajid Ethyn

Director of supervisory art : Mcclure Lyle

Produce : Shehzad Bradon

Manufacturer : Vianney Grondin

Actress : Jason Joseph



A retail billionaire's 60th birthday party is celebrated in an exclusive hotel on the Greek island of Mykonos.









Movie Title

Greed

Hour

175 seconds

Release

2019-11-22

Quality

AVI 720p
BRRip

Category

Comedy

language

English

castname

Ilyan
H.
Jamari, Diavian L. Aguirre, Peta M. Briac





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Film kurz

Spent : $640,100,028

Revenue : $079,449,665

category : Fantasie - Freundschaft , Opernfilm - Frauen , Quinqui - Guilty , Reisen - Sozialismus

Production Country : Island

Production : Triple X



Minggu, 25 Maret 2018

Don't Breathe 2016 Movie Length

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Filmteam

Coordination art Department : Yaïr Coupe

Stunt coordinator : Noizeux Jaylyn

Script layout :Rajvir family

Pictures : Kaley Phileas
Co-Produzent : Virat Grace

Executive producer : Danni Jomphe

Director of supervisory art : Anuar Savidan

Produce : Pascal Yashita

Manufacturer : Shanice Field

Actress : Jude Stause



A group of teens break into a blind man's home thinking they'll get away with the perfect crime. They're wrong.

6.9
4070






Movie Title

Don't Breathe

Moment

116 minute

Release

2016-06-08

Quality

MPE 720p
HDTV

Category

Crime, Horror, Thriller

language

English

castname

Chabert
J.
Kadell, Niara W. Domenic, Gardner E. Otar





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Film kurz

Spent : $153,205,403

Revenue : $950,868,558

Group : Conte - Tyranny , Karate - Military , Verantwortung - Management , Verantwortung - Poetry

Production Country : Guatemala

Production : Ruffin Entertainment



As is typical with almost all movies of this genre I found this film to be predictable and lacking real creativity. It is an unfortunate collision of several popular titles and left me wondering if its writers had just binge watched a weekend of thriller films that made a few bucks before looking at each other through a bongy haze and declaring "Dude we can totally write a screenplay!"
The result is a film that is average at best. Perhaps the audience could also benefit from a little pre-screening bongy haze of their own.
There are several contemporary horror showcases that could certainly benefit from co-writer/director Fede Alvarez’s (“Evil Dead”) edgy home invasion thriller **Don’t Breathe**. For starters, Alvarez taps into the suggestive elements of tension without the overextended need to go overboard. The chills and thrills seem almost organic and unassuming. Sure, there appears to be a simplistic approach to an otherwise conventional premise of a house break-in at the hands of opportunistic thugs. Nevertheless, **Don’t Breathe** captures the claustrophobic spirit of its inherent creepiness with stylish cruelty and cleverness.

Inevitably, **Don’t Breathe** may inspire cinematic comparisons to the 2002 David Fincher-directed vehicle _Panic Room_. Understandably the theme is somewhat recognizable to movie audiences as ominous strangers invading your domestic private space is a recipe for paranoia and persecution. However, **Don’t Breathe** takes this precarious situation to a whole new scare tactic level of horrific proportions. Consequently, the executed violence and terror-driven tempo is definitely worthy of its suspense-driven objectives. **Don’t Breathe** is a macabre masterpiece in the making that sets the standard for a current-day stillborn and repetitive horror genre that thrives on pressure cooker predictability.

The set-up for **Don’t Breathe** is quite ambitious and challenging thus forming an interesting spin on the home robbery scenario. The sordid story centers around three upstart small-time crooks making the rounds of thievery in the suburban surroundings of Detroit. Rocky (Jane Levy) and her two male companions Money and Alex (Daniel Zovatto and Dylan Minnette) are able to carry off their home invasion scamming courtesy of Alex’s connections to a home security firm owned by his father (where there is all kinds of access information to private residences and local businesses).

Alex’s stipulation, however, is that these home invasion robberies need to be less flashy without drawing too much attention. Plus, all the stolen items confiscated much not be too expensive otherwise their illegal activities will be exposed much sooner than later. Unfortunately lovebirds Rocky and Money do not see eye-to-eye with Alex’s brand of careful and cautious home-robbing philosophy. In fact, the romantic couple wants to reach for the sky and steal as much stuff possible to make their dreams of living on East Street an immediate reality. So what will it take for Alex to get on the same page as Rocky and Money in terms of all of them benefiting on a big score without suffering the dire consequences?

The consensus is reached among the law-breaking trio that their next target for viable riches is in the form of a blinded Iraqi war veteran (Stephen Lang). The word is that the personally troubled and sightless ex-military man is about to be awarded a whopping three-hundred thousand dollar cash settlement involving the wrongful death of his beloved young daughter. So the home invasion task seems quite self-explanatory to the young heist-happy hooligans as committing theft against a seemingly vulnerable blind man emotionally and psychologically down in the dumps should be a piece of cake so to speak. Well, Rocky and her two boytoys were sadly mistaken if they thought that they could take sole advantage of this savvy yet disturbed disabled war vet with visions of sorrow and sacrifice.

The realization that the home-invading crew has picked a tricky trap of a house to pillage while underestimating the capabilities of its handicapped owner seems like poetic justice. In fact, the irony of the criminal threesome trying to escape the boarded-up dark and dingy household makes them look like the victimized three blind mice at the mercy of a crazed trigger-happy, sight-deprived ex-soldier that can see all too well that his cherished castle and belongings are being jeopardized by these punkish intrusive violators. Strangely, the audience is left wondering whether or not they should root for the blinded bombshell protecting his homestead of secrets or the clueless crooks that talked themselves into this caustic cat-and-mouse game of gloom-and-doom.

**Don’t Breathe** is uncharacteristically compelling for a horror showcase because it relies on genuine scary jolts and jumps…or at least the anticipation of the jolts and jumps that have convincing dramatic weight behind the build up of intensity. Alvarez crafts an arousing narrative that brilliantly displays the mounting nervousness that awaits. Lang’s belligerent blind man patrols every spacing and crevice in the darkness with the will of a rabid dog in heat as he points his explosive firearms at the slightest movements of his trapped guinea pigs in despair. Creatively nerve-racking and nauseous, **Don’t Breathe** makes dutiful usage of its instinctual delivery of shock value as this potent pot-boiler never settles for any sense of false or mechanically manufactured hedonism. The haunting aura that exists in **Don’t Breathe** is gasping in visceral authenticity.

As the menacing misfit saddled by wartime mortar fire blindness but blessed with tactical tenacity drenched in borderline villainy, Lang’s portrayal as the sightless hunter tracking down his vulnerable prey in his tortured domestic playground is solidly digestible. His inner madness was already established by personalized heartbreak but the arrival of his uninvited guests devilishly unleashed more demons within his off-kilter psyche. The moving targets at the other end of the deranged blind man’s intimidating gun are thoroughly convincing as the harried catalysts for their sightless tormentor’s frustration and escalating rage. Levy’s Rocky, Zovatto’s Money and Minnette’s Alex are plausible as the frightened specimens caught in the maniacal maze of their aggressor’s clutches.

The very thought of a psychotic blind man enforcing his brand of warped justice on the youthfully sighted self-indulgent saps is deliciously manipulative and wonderfully inventive. The creepy corners concerning the backlash blackness in **Don’t Breathe** is explored with grand naughtiness and the atmospheric vibes certainly will not disappoint in this percolating peek-a-boo primer.

**Don’t Breathe** (2016)

Ghost House Pictures/Screen Gems/Stage 6 Films/Good Universe

1 hr. 28 mins.

Starring: Jane Levy, Stephen Lang, Dylan Minnette, Daniel Zovatto, Emma Bercovici, Franciska Torocsik

Directed and Co-Written by: Fede Alvarez

MPAA Rating: R

Critic’s Rating: *** stars (out of 4 stars)

(c) **Frank Ochieng** 2016
2016 has been a great year for horror. With the addition of _Don't Breathe_, 3 of my top 5 movies the past 9 months are in the genre. I'm a pretty huge horror fan but even for me that is crazy unexpected.

Director Fede Alvarez has knocked it out of the park with _Don't Breathe_. In fact I'm yet to be anything other than impressed by his work (not that notable an achievement, as he's only directed two films, but still). _Don't Breathe_ flips a lot of modern horror conventions, and I love it for that. The use of silence and barely audible noise to bring the scares instead of some cheap blaring-ly loud audio. The fact that there is really no one wholly good or wholly evil.... Plus that puppy is really bloody cute...

_Final rating:★★★★ - An all round good movie with a little something extra._
**The right house, but an underestimated person!**

It's a great comeback for the director after his first film, 'Evil Dead' remake had got a mixed response. This film might feel very familiar to you if you have got a good knowledge of the B movies. It was still a very refreshing and very thrilling. The film was short, because there were none segments wasted, it comes to the point quickly. I mean the event, because the story was a one liner, but the event was what this film based on.

Three youngsters who rob the houses when the people are out, mark their new target on a blind war veteran. But when it does not go as they have planned, they find trapped inside his house. Struggling to escape from there, they also get so close to what they had come for. Though it becomes a suicidal, and left without any option, what's next for them and the result of their attempt is what becomes the film's conclusion.

Really a great effort. Almost a one night based theme with the limited cast. The title is not just what the film revolves, it also for us to hold breath while watching it and most probably sitting on the edge of our seat throughout. But I'm very disappointed with many flaws, or maybe you can say those unexplained stuffs. Like the end seems very silly, because there were lots of evidence to prove the film character had committed a crime, but easily got out. Likewise there are many more, but the film does not explain and I believe there are sure reasons behind them.

The writers did not care to waste time on those, because they wanted only a thriller, a non-stop one and they got one. Now it is going to be remade in Kollywood and also a sequel was announced. I expected that when I saw the ending. Maybe, a prequel, though sequel seems more interesting idea after what happened in this. Surely one of the best thriller of the year, so make sure you watch it soon.

_7/10_

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